Showing posts with label survivor. Show all posts
Showing posts with label survivor. Show all posts

Monday, July 19, 2010

Broken Birds: The Story of My Momila

Broken BirdsThis book has been getting a lot of attention online, so I was eager to read it. It is the story of a dysfunctional family, the sons and daughters of Holocaust survivors. Although it purports to be the story of the matriarch, information about her is relatively sparse and leaves the reader with many questions.

The mother, Channa, and her brother, Isaac, grew up in a small town in Poland. When the German army took over, they suffered the depredations visited upon the resident Jews and soon wound up in a ghetto. When Channa was twelve, shortly after the death of their aunt and Isaac's wife and children in a pogrom, Isaac took Channa with him into the forest, where they joined the partisans, remaining with them until the end of the war. They snipped telephone and telegraph lines, blew up bridges, killed solitary German soldiers, lived off the land and off food they demanded from farmers. When the Red Army liberated Poland two years later, they returned to their hometown to find the rest of their family had perished and their home was occupied by strangers, who reluctantly let them move in and then relinquished the house.

That is the first ten percent of the book. The reader is then treated to a rather rushed narrative of Katzir's father, who grew up in a town in Czechoslovakia that later became part of Hungary. Only a few pages are devoted to the difficult years of 1939-1944; then he and his family were deported to Auschwitz. Nathan managed to survive the selections for the gas chambers, and wound up later on a hellish work detail cleaning up the rubble of the Warsaw Ghetto (which she calls “only a shell of its former self”). As the Allies drew closer, he was deported to the German camp, Dachau. The reader encounters the tired phrases of concentration-camp existence: “packed like sardines,” “living skeletons,” etc. Then, astonishingly, only after he gets to Dachau, Nathan gets lice! Now, Dachau was a disgusting camp; they all were. But Auschwitz was the worst of the worst, with its gas chambers and crematoria going day and night (there is still controversy as to whether the gas chambers at Dachau were ever used to exterminate Jews, while there is no question about the ones at Auschwitz). I don't ever recall reading that Auschwitz had a lot of hand sanitizer stations. You couldn't spend more than five minutes there without getting lice.

Here is where the narrator misses rich opportunities to delve into the experiences of Channa and Nathan, and how their later behaviors were shaped. Channa was in the partisans for two years; why do we get so few pages? Is Nathan's memory of events skewed so that he remembers the lice at Dachau and forgets the lice at Auschwitz? Was Auschwitz too horrible to remember? Or is this just sloppy editing?

At one point, as Nathan was trying to outwit the Germans (always referred to as “Nazis” in this book, although many of the most brutal soldiers never joined the Nazi Party), he and some friends jumped into a ditch. The author takes great pains to point out that “The ditch still held water mixed with sludge and dead bugs, but they did not care.” Eww! Dead bugs! These were people who would often wake to find their bedmate a corpse, who were often forced to spend days in railroad cattle cars shitting on the floor!

Nathan and Channa eventually made their way to America separately, met, and married. Five children were born, and their story takes up most of the book. We really never understand fully how Channa's and Nathan's backgrounds molded their parenting style, and how (or if) it turned the kids into such quarrelsome, greedy bastards. There is one scene where Nathan dances too much, in Channa's estimation, with a niece at a party, and Katzir seems to see this as a seminal event in her mother's behavioral slide. Much more narrative energy is lavished upon all the times one sibling signed a contract with another and then reneged, or one sibling borrowed money and never returned it, than on the behavior of, say, the other partisans or the camp guards. We are treated to a long description of the author's love of horseback riding, and of how an unscrupulous dealer sold her her first horse, a bad match. She feels entitled to use a sister's address to allow her kids to go to school in a town they don't reside in, and goes ballistic when the sister abruptly puts a stop to it. The quarreling over the mother's will after her death is too much to take. All the siblings are scandalized by their father's quick remarriage, though one could hardly blame him, since his wife wrote him out of the will! There is really very little more about Channa until her death, just some quotes showing that she wasn't June Cleaver.

After the Holocaust, the victims (and the perpetrators who avoided arrest) mostly worked hard to establish some kind of normal life. The everyday problems of fighting siblings, financial strain, obnoxious neighbors, etc. don't go away because you were part of one of the most tragic and momentous events in history. Your way of dealing with those issues may be greatly affected, though, but we are not given much information about this in the story, most of which is devoted to the five children of Channa and Nathan (Channa called them “My five fingers”).

When do people whose parents went through hell stop blaming those parents for all the behaviors of their siblings? This is another interesting question that goes unaddressed. Perhaps their parents really DID screw them up; what difference does it make? When do you start taking responsibility for your own problems, since blaming does nothing to solve them?

Broken Birds is like a sandwich: a long list of familial acrimonies between two slices of narrative. With some editing of the filling, and enrichment of the bread, it would be a much more interesting read.

Sunday, June 6, 2010

Review Roundup by Libby Cone

by Libby Cone

I have been on another Smashwords adventure, catching book samples on my hard drive as they drop from the conveyor belt of the literary fiction genre. Using this method, I hope to save readers time, energy, and money by reporting on books worth reading, worth sampling, and worth letting fall into oblivion.

Brakenstroom by Jacob SingerThe latest offering is Brakenstroom by Jacob Singer, a book of short stories about Jewish emigrants to South Africa. When I noted that only the first ten percent of the book was offered as a free sample, I was concerned that I might not appreciate its essence by reading such a small excerpt. I need not have worried, though. I invite experts on the complicated and tragic history of South Africa to comment on the accuracy of the author's account in the introduction. No expert is needed, however, to find “it's” being used as a possessive pronoun, or an implement for blade sharpening being described as a “wet-stone.” I began to have serious doubts when I read this sentence: “He worked hard, the hours spent pouring over accounting books giving him the stooped scolitic back and chronic myopia that on his tall thin frame, offered a portrait of the Scrooge circumstances had made him.” Then I read this sentence and gave up: “As a boy he was always a head and shoulders taller than others his own age, as thin as a stick, with two large ears on either side of a very Jewish nose.”


To Come Back So Far From Nowhere in ParticularNext is “To Come Back So Far From Nowhere in Particular” by Jon Thorpe. This is a free short story. Unlike the previous work, which dealt with a skinny, four-eared Jewish kid, this story describes the challenges facing suburban Christian youth devoid of bizarre physical deformities. I stopped reading after Page 6, which contains this sentence: “One young woman, Virginia Talbot, someone who would proclaim that Lubeck had seduced and corrupted her and led her astray from her good Christian values, had come forward and admitted Lubeck had arranged meetings with her in seedy hotel room where the two would smoke crack and Lubeck would masturbate as she pleasured herself with a crystal dildo.”

The next book in line is “The Sister City Initiative,” also penned by Mr. Thorpe. Forgive me, readers, for skipping his other ouevre, and the next book in line, which is written in Japanese.


The AlbumThe next book is “The Album” by Sandra White. It is actually published by “The Fiction Works.” POD purists may skip the rest of this paragraph. Ms. White gets brownie points from me for correct usage and spelling of the words “pored” and “its.” However, after wading through onslaughts of telling-and-not-showing, I was finally defeated by this bit of dialogue: “'It's beautiful out here, Jack. Blakefield's city fathers have done a superb job expanding and building without totally demolishing the wonder of Mother Nature.'”





Never, Ever, Bring This Up AgainEveryone knows the conflicting urges to look, and not to look, at something ghastly. I decided to give in to the desire to look at another short story of Mr. Thorpe, the next story in line, called “Never, Ever, Bring This Up Again.” I am happy that I did, because this cold-war-era story of a failing oil platform (sound familiar?) while somewhat difficult to follow, is actually an attempt at satire. It led me to return to the previous story by Mr. Thorpe, about the crystal dildo, and indeed, satirical narrative followed. My bad. While I did not think either satire was very clever, far be it from me, hoodwinked as I was, to reject Mr. Thorpe's pieces out-of-hand. You may wish to sample them yourself.

As that wasn't much of a ringing endorsement, I proceeded to the next book, “Chips & Gravey,” only to find that it does not seem to be self-published, having already garnered advance comments from the likes of E. Annie Proulx and Atom Egoyan.


book cover for Wherever You May be SearchingNext in line is Wes Patterson's Wherever You May be Searching. A weird book. A motormouth know-it-all boy has a creepy, borderline-incestuous relationship with his sister, who is just a couple of years younger than he. I think he's supposed to be a "bend-the-rules", "different drummer" sort, but he comes off as controlling and manipulative. Sample it if you wish.







107 Degrees Fahrenheit“107 Degrees Fahrenheit” is another short story by Barry Rachin, whose “Just Like Dostoyevsky” I have reviewed previously. Barry, Barry, Barry, what's with the weird commas? What's with the snappy dialogue like: “'Marauding insects and harsh weather often destroy the eggs. Raising them in captivity helps even the odds they’ll survive to adulthood and reproduce.'”?






Beyond Redemption - The ForbiddenBeyond Redemption – The Forbidden by Jax Alexander. Adjective-noun, adjective-noun, adjective noun, ad nauseam: “Gagging down bile mashed up by the crushing grip, Mike was assaulted by the stench of decaying carrion as he oozed through the clashing colors into the center of the stinking swirl. Toxic thoughts filled with ancient anger forced their way into his head and fouled his mind with an oily presence.” Need I say more?






Embrace The RainFinally (my eyes are crossing), Embrace the Rain by Michael Holloway Perronne. I only read the first thirty pages or so, but it looks good. Technically, it's published by Chances Press, which seems to specialize in gay erotica, but I don't see any encomiums by Edmund White or Sarah Waters, so I'll include it in the self-pub category. A bunch of couples and families, gay and straight, are affected by the devastation of Hurricane Katrina, some in a completely negative way, some in an opportunistic way. The writing is good. Take a look at it.