Is it my imagination, or am I detecting tiny infrequent bursts of empathy on Simon's part, feeling sorry for the socially inept Snaggle, being a bit more understanding of the various transportation and lodging personnel they encounter? Although Simon's pretensions to being a writer are relatively ludicrous, his pretensions toward being a better communicator and accepting quirks in others, which on the surface may just seem part of the writerly image to him, are actually becoming part of him in a deeper way.
He and his aromatic acquaintance barrel along the highway, soon picking up more assistance in the guise of Gina, a multi-pierced Goth student from Oklahoma, looking for a lift to Norman. Of course, Simon had given his new boss, as well as Snaggle and Gina, the explanation that his grandmother had just died, and they are going to her funeral. He ruminates from time to time about this fib. Complications ensue, and they eventually go through Dallas and on to Oklahoma, where more complications ensue. But Simon is starting to understand something, and his luck literally changes. Semegran handles this quite deftly; even though Simon keeps warbling his “It's true!” declarations at a great rate, the reader does not tire of them, because, well, some of them ARE true, and we see the progress he is making in getting a grasp of what life is about, albeit in his own hamfisted way.
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