How to Thrive as a Writer in a Capitalist Dystopia by Russell Nohelty

Full disclosure: I backed the Kickstarter for this book, and even though I have a fair amount of negative things to say, I don't regret it. I found it to be an educational read.

thrive: verb (used without object)

1. to prosper; be fortunate or successful. Synonyms: advance
2. to grow or develop vigorously; flourish.
   The children thrived in the country.

Russell Nohelty is a successful writer, and he wants to share what he's learned about marketing with you. But after reading this book, I've come to the conclusion that "thriving" is not what this book is about. It's about how to survive as a writer in a capitalist dystopia.

survive: to get along or remain healthy, happy, and unaffected in spite of some occurrence.

She's surviving after the divorce.

After reading through all of the health issues (both mental and physical) that Nohelty shares with the reader, his suggestion not to strive for happiness in order to avoid falling into negativity, and the constant drumbeat of how exhausted he is from promoting his brand (blog posts, interviews, podcasts, strategizing his advertizing budget, evaluating what promotions are working, etc.) leads me to believe that he's deluding himself into thinking he's thriving; he's merely surviving.

But "survive" isn't as marketable a word as "thrive." And it's clear to me after reading this book, that Nohelty knows marketing.

And that's where this book has value. Right from the start, Nohelty gives his readers a reality bath. If you have any illusions about your chances of success after publishing your book, then he will wash those illusions away. Once he's done that, he works hard for you to accept things as they are. It's not your fault. Capitalism is a rough system with many evils; it's difficult to conduct commerce in such a system, but it's what we have to deal with. Nohelty doesn't want authors to let the system damage their mental health.

Once that's out of the way, he shares his business experience, matters of personal health, his experiences with social media, makes suggestions about automating your workflow, explains arbitrage, agonizes over the size of his mailing list, crunches the numbers on advertizing ROI, drowns you in marketing philosophy, and tries to get you to focus on what works for you. There's even a clever bit about author archetypes which he and his partner have dubbed "biomes." There's plenty more, but it can be repetitive at times and rambling, and I found myself wanting him to get on with it. But he has to get it all out there because he's trying to make a point and, IMO, he's burning the candle at both ends.

There's a workbook—emphasis on work—that goes with this book that could prove useful. But if you need a guide you can sign up for the service that he and a fellow successful marketer have devised. Nohelty goes into some detail about that in the book, and it stuck in my craw. I don't fault him for monetizing his experience, but I do feel like he's trying to upsell anyone who bought this book. And I don't really appreciate that, but hey, we live in a capitalist dystopia, so it's all fair game.

So if you're an indie writer, should you pick this up? If you've got a routine that you're happy with, then no. If you're content with your writing as a fun hobby, then also no. But if you've got at least three books under your belt, you've sold less than 100 copies (like 99% of us), and you're looking to find out what may or may not be required of you to grow your brand, then yes. It's a sobering look at one man's efforts (one who already had experience with sales and marketing) to grow his brand. Maybe you'll find something in it that works for you.

And Mr. Nohelty, if you're reading this, H.P. Lovecraft never lived in Los Angeles, much less had a salon there.

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Escalators to Hell: Shopping Mall Horrors

This anthology's theme is horror stories that have some connection to shopping malls, those dying bastions of consumerism. Not that consumerism is dead, mind you. It's that we're transitioning from roaming their vast corridors of myriad wares to surfing the digital versions on our phones and laptops. To wit, the editors thought that the demise of shopping malls would make for an excellent theme for a horror anthology. And I thought so too.

The stories cover a wide gamut of horror sub-genres, so it isn't all about gore. There's a "Content Warnings" section—something I've never seen in a horror anthology—which I thought was odd. I mean, it's horror. If your mental health is such that certain things will trigger a traumatic emotional reaction, maybe you shouldn't be reading horror. I know that there are certain aspects that I won't read because of my issues. So I guess a content warning is considerate of the authors, can one find it before purchasing it?

Author representation is quite diverse. While North American authors are present, there are stories from African and Asian authors. Also, there are many non-binary authors in this collection.

Ok, onto the stories. Of the 22 stories in this collection, I liked 15 of them. Of those that I didn't enjoy, a good deal of them were too focused on gender identity, with the mall serving as mere setting. A couple of the others were too esoteric or allegorical to connect with.

On with the good stuff! The opening story, "Hard to Be a Mall God," was excellent. It deals with a demonically possessed escalator. "The Intercessor" shows how retail associates deal with trollish customers. "Why I Won't Eat at the Food Court" is part of the Generation Dead series. It drags in some cosmic horror for teen mutant superheroes to deal with but doesn't forget to add a dash of humor. "A Plague Upon Both Our Houses" is Romeo and Juliet with Zombies in a mall. "A Quick Trip to Ryan's" delves into masochism on a whole another level. "Kim, Ray, Trey, and Morgan" delves into drugs as a mind expanding experience with a dash of cosmic horror.

Some stories confront serious matters. "You Must Drop Buy" tackles the subject of rampant materialism and false promises made by deceptive marketing. In "Poseurs," a teen girl deals with her father's suicide by re-enacting a drama with mannequins.

In case anyone feels I'm being unfair to non-binary character stories, there were good stories that had non-binary characters and authors. These stories didn't lose sight of the objective. For example, "The Basement of Crowley's Artefacts and Interests of the Occult" has some non-binary teens dealing with demonic invocation in the supply room of an odd store in the mall. "Cherry Cola Lips" features a woman reflecting on her first crush back in high school, a girl who wouldn't come out and later disappeared. Rumors are that she was murdered, but the truth is stranger.

My favorite story was the closer, "The Temple of All." Makoma is forced by ritual to take her dead husband's remains into the ancient ossuary. It's a post-apocalyptic story with a touch of Handmaid's Tale where the ultimate act of rebellion is to live.

Yes, I'm glad I read this anthology. While I wish some of the stories were better, the good stories made it worth the price and my time.

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Full Disclosure: I backed this book on Kickstarter and received a digital copy as a reward.

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The Blissful Plague by Brady Koch

Twelve-year-old Maggie, her mother, and their loyal dog, Penny, traverse desolate cities, guided by a well-worn travel book. A chance encounter with a solitary boy, entangles them in the perils of Plantation Oaks, a seemingly safe haven.

As secrets unravel, revealing the reasons behind their endless voyage, Maggie and her mother grapple with their complex past. This poignant tale speaks to survival, resilience, and the unbreakable bond between a mother and daughter, emphasizing the strength it takes to navigate a shattered world.

This is the fourth and final book in Koch's All Our Forgotten Futures series.

Efforts to contain the plague have failed. No cure has been found, and now there's no one left that can do anything about it. In this quiet world, Maggie and her mother are on a roadtrip, visiting all of the landmarks and museums of a world Maggie has never known and her mother can't forget. It isn't much of a childhood for Maggie, but she knows that her mother is trying her best even when she doesn't understand why she does things the way she does.

When they meet Henry, a boy unharmed by the plague, living with his feral family members and neighbors in the woods, everything changes. For her entire life, Maggie has only really known her mother. She had no friends growing up, so Henry is someone special to her right off the bat. Maggie wants him to come with them, but her mother tells her that he belongs with his family, no matter what condition they're in.

The people at Plantation Oaks are familiar to anyone who's read or viewed post-apocalyptic fiction. They're survivors, and their methods are cruel because that's how you survive. As someone who still has a heart, Maggie does what she can to protect Henry and his family from them. And Momma does what she can to protect her daughter.

Koch does a great job portraying his characters. Maggie is what I'd expect from a twelve-year-old girl (having had a daughter of my own), seeking her own space in the world, rebelling just a bit from her mother's rules. And Momma is caught up being a single mom in the apocalypse, carrying a ton of guilt for not being able to give her daughter a normal childhood but putting on a brave face to make sure she has the skills to survive and carry forward.

The Blissful Plague is a heartfelt story, focused on the relationship of a mother and her daughter in difficult times, facing long odds, trying to do the right thing in a world that has forgotten compassion.

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Full Disclosure: I was hired by the author to proofread/edit this book. While you might think I'm biased, I suggest heading over to Goodreads for other opinions.

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The Hotline at the End of the World by Brady Koch

In a world paralyzed by an unprecedented outbreak, Clint mans the CDC hotline, a solitary beacon of dwindling hope. Then, one fateful day, a call comes in. Clint finds himself navigating a delicate situation involving a mysterious woman, hinted at in classified files, who may possess the coveted cure. As the world remains under a suffocating lockdown, Clint's every word, every choice, holds the weight of untold futures.

This is the third book in Koch's All Our Forgotten Futures series. And this one might give you Covid-19 flashbacks.

Years later, events at the slaughterhouse have boiled over to the country at large, and everyone is desperate. Social order is breaking down as people are becoming infected, and those who aren't infected are willing to do whatever it takes to avoid getting sick or find the mystery woman.

Clint is taking over the CDC's tip hotline. The current occupant, D'Angelo, has had his fill of the job. With the country in lockdown and people isolating themselves, he's watched as his team has been reduced to just him—the volume of calls no longer warrants a full-time staff. D'Angelo trains Clint, who has experience working other hotlines dedicated to assisting people with the virus or who have family members with it. The training and the off-duty conversations reveal a lot about the men. After the training ends and D'Angelo departs, it's just Clint and the occasional caller on the phone. It's a lonely life, and Clint has too much time on his hands.

Clint learns from D'Angelo that the standard approach to the calls is that the caller has not found the mystery woman with the cure. None of them are. There's just no way it can be her after all these years. Clint is to treat each call as if it were a hostage situation. There's a manual which Clint is instructed to follow. It's a de-escalation procedure that never fails. Clint has to stall for time so that he can track down the caller and alert the police to free the hostage before she gets hurt. It isn't easy on Clint, and Koch does a great job keeping the tension high. Eventually though, Clint gets that one call where abiding by the manual doesn't work, forcing Clint to think of a new way to rescue a woman a thousand miles away.

Despite the lack of action, The Hotline at the End of the World is a suspenseful thriller with an engaging protagonist. It doesn't matter that he's cooped up by himself, quarantined from the world. He's agonizing over the fate of this woman, unable to physically rescue her, relying solely on his intellect to outwit her kidnapper. Koch has skillfully developed his character so that you're right there beside Clint, rooting for him to succeed.

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Full Disclosure: I was hired by the author to proofread/edit this book. While you might think I'm biased, I suggest heading over to Goodreads for other opinions.

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The Forgotten Sons of Wyoming by Brady Koch

In the frozen heart of Wyoming, the Trinity Meat Processors stands as a beacon of rehabilitation. Here, men with no pasts and blank slates find purpose under the watchful eye of Pastor Isiah. Asher, unsettled by the sudden disappearance of his friend after a confrontation with a mysterious intruder, races against time, battling forgotten truths and moral dilemmas.

This is the second book in Koch's All Our Forgotten Futures series. And it's probably my favorite.

Asher is one of several men who work at the Trinity Meat Processors slaughterhouse. Koch pulls no punches when he describes the brutal work that the men do. There's a cold detachment from the process, stripping away each layer of the animal until there's nothing left. It's unsettling. It parallels the counseling sessions and church sermons that the men are required to attend as part of their therapy. They strip away the layers, trying to find the man underneath, but it's the same result: an empty shell.

Each man suffers from memory loss, unable to remember what happened before they came to work at the slaughterhouse. The "mysterious intruder," referred to in the blurb, knows. His presence disturbs the men. He accuses them of things they have no memory of. But Sonny, Asher's friend and the lead on the kill floor, has some idea, but he'll be damned if he's going to let this guy get to them. Of all the men, he's the least docile, which is unacceptable.

Asher desperately wants to remember his past and what his counselor won't tell him. It has to be something terrible, right? It seems that Sonny has the answers, which might explain why he's the most boisterous of the bunch. Events build to a head, and Asher comes to realize that things are terribly wrong. A character shows up from The Negotiated Death of Sara Glen which will cinch it for the reader. At this point, Asher and the men at the slaughterhouse are in mortal peril.

As I mentioned earlier, this story was my favorite in the series. Between Koch's descriptions of the men's lives, their work environment, and the surroundings, plus the way he builds dramatic tension, The Forgotten Sons of Wyoming makes for a solid thriller. But there's a scene towards the end of the book that really did it for me. Asher is standing in the middle of a road with the snow coming down. He needs to make an important decision. The imagery of the scene, coupled with how he comes to make that decision, is the cherry on top of a thrilling sundae.

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Full Disclosure: I was hired by the author to proofread/edit this book. While you might think I'm biased, I suggest heading over to Goodreads for other opinions.

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The Negotiated Death of Sara Glen by Brady Koch

Sara makes a startling discovery through an at-home ancestry kit: She possesses a unique immunity to the elusive Jessica Kitner Syndrome. This revelation doesn't go unnoticed. OriginPoints, the DNA test company, approaches her with a proposition that might demand the ultimate sacrifice.

Caught in the maelstrom of genetic intrigue and moral dilemmas, Sara stands torn. With a profound sense of duty on one hand and the weight of her own life on the other, she grapples with choices where clarity is elusive.

This is the first book in Koch's All Our Forgotten Futures series.

As stated in the blurb, Sara learns that she carries a cure for a disease that reverses the cognitive development of children. The problem is that in order to extract it, she must undergo a procedure that will kill her. She leans this at an engagement party for her sister. Over the course of the book, she goes back and forth between sacrificing her life to choosing to live.

While Sara attempts to keep the news of this to herself, the CEO at OriginPoints is eager to promote the technology that led to the discovery. It could lead to billions, which would make stockholders very happy and he'd wind up rich and famous. The pressure is on him to deliver.

So what's in it for Sara? Well OriginPoints will fully take care of her, pay for her to travel and see the world, memorialize her legacy, basically anything to make her out to be a hero.

The rest of the story, told completely from Sara's POV, has her debating her choice with herself. She volunteers to work at a daycare specializing in the care of kids with JKS to get the parents' perspective. She helps plan her sister's wedding; she even starts dating a guy. Sara goes back and forth until Koch throws in a couple of plot twists that change the stakes.

While Koch does a great job at developing Sara, he also does a solid job of developing all of the other characters that Sara interacts with as she tries to make her decision.

All-in-all, this story is a solid start to a great series. In the hands of a lesser author this could've been treated as a maudlin morality tale. Instead, Koch has crafted a fine dramatic thriller.

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Full Disclosure: I was hired by the author to proofread/edit this book. While you might think I'm biased, I suggest heading over to Goodreads for other opinions.

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Lines of Deception by Steve Anderson

West Germany, 1949. Former actor Max Kaspar suffered greatly in the Second World War. Now he owns a nightclub in Munich—and occasionally lends a hand to the newly formed CIA. Meanwhile, his brother Harry has ventured beyond the Iron Curtain to rescue an American scientist. When Harry is also taken captive, Max resolves to locate his brother at all costs. The last thing he expects is for Harry to go rogue.

Max's treacherous quest takes him to Vienna and Prague to Soviet East Germany and Communist Poland. Along the way, dangerous operators from Harry's past join the pursuit: his former lover Katarina, who's working for the Israelis, and former Nazi Hartmut Dietz, now an agent of East German intelligence. But can anyone be trusted? Even the American scientist Stanley Samaras may not be the hero Harry had believed him to be...

In the fourth novel of the Kaspar Brothers series, Steve Anderson cranks up the dramatic tension. The story is set in a postwar Europe transitioning to the Cold War. The Soviets have begun to flex their muscles in Europe, and the Americans are trying to hold them off while the U.K. and France are busy mending their wounds. Weary of war, all sides have resorted to brinkmanship to see who takes the leadership role for the second half of the twentieth century.

Into this setting, we reunite with Max, who we first met in The Losing Role, where he was an operative in Operation Greif during the Battle of the Bulge. Max spent most of that novel running scared, fearing for his life. He wasn't a hardened soldier or zealous SS officer. He was just a down an out German actor conscripted into service.

But since the war, he's spent the time trying to forget it, except when he's called upon to do the right thing (as in Lost Kin) because the factions may have changed, but there are still evil men in the world bullying the weak and downtrodden. And it makes him angry. When he's visited by an odd, little man while working at his nightclub that anger resurfaces. The man claims that Max's brother Harry is being held for ransom, which Max must deliver. Max is furiously protective of his brother and can barely restrain himself from taking it out on the messenger. Later, when Max encounters the man responsible for the death of a dear friend, he so desperately wants the man to suffer, but as the man is necessary to complete the mission, he has to tamp down that anger.

As suggested in the book blurb, no one is completely forthright with Max. Whether that's to protect him or deceive him is dependent on the person in question. It leads to a constant string of surprises for Max (and the reader), forcing him to react quickly or change plans in order to find his brother and get home safely. He reacts differently to these deceptions. They become a way for him to work through his anger, on some level accepting what he cannot change, which leaves him exhausted.

Lines of Deception is another solid entry in the Kaspar Brothers series. The setting is thoroughly researched with Anderson dragging in historical events to craft a credible and entertaining story. Strong characterization leads the reader into believing what the characters are telling Max, but when their deceptions are revealed, it doesn't strike one as being out of character. One realizes that Anderson left clues all along the way. Ultimately, it enables Anderson to turn a spy thriller into catharsis for his protagonist.

4 stars

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Zervakan by Rob Steiner

Reason and science gave the Recindian Compact wonders like steam engines, telegraphs, and gunpowder. The world had order. It made sense.

Until one night two multi-colored bands of light split the sky, spanning the horizons like rings around the planet. Soon after, unnatural storms assaulted the Compact's cities. Whispers spread of ghoulish creatures haunting Compact forests. And then a message from a legendary race called the Mystics - "ally with us to fight the growing evil, or we all perish."

The Compact's desperate leaders turn to disgraced history professor Taran Abraeu. Taran spent years searching in vain for the ancient healing magic of the Mystics to save his dying daughter. His family and colleagues once mocked him. Now his research might save them.

When the Compact asks Taran to accompany a secret delegation to the Mystic homeland, he is swept up in an adventure that forces him to fight a horrifying enemy that only he among all his people can comprehend.

I discovered today that I reviewed this on GoodReads in 2013, but didn't cross post it here. I've decided to make up for that oversight.

Full Disclosure: I was the editor for this book. You can discount what I have to say here in this review but hear me out. I think what I have to say might still sway you.

You can read the description for what the book is about. I'm here to tell you that Steiner did a fantastic job. The world in Zervakan is a clever juxtaposition of one civilization which relies on primitive technology but is well-versed in magic (the Mystics of Beldamark) while the one in which our protagonist hails from is comparatively advanced: muskets, steam engines, and the telegraph. It would've been easy for Steiner to take a side, i.e. "technology is evil" or "faith is for fools." Instead, he shows that there are good points about both systems, and neither has a monopoly of short-sighted dogmatists. His point is that both sides must learn to work together to overcome an evil that is stronger than either one can handle on its own.

Steiner excels at characterization. They're real. Young characters are passionate but lack the wisdom that comes with experience. Older characters are stuck in their ways. Tarn makes for an excellent protagonist: His daughter is his Achilles' heel, and he struggles to make the right decisions. Fatimah wrestles with trusting Tarn, the outsider who has embraced mysticism despite his Compact upbringing, and obeying the wisdom of her elders. Speaker of the Compact, Dylan Edoss (my favorite character), is forced into having an open mind with regards to the Mystics because he realizes cooperation is the only way to protect his people, but that very open-mindedness leaves him vulnerable to his political enemies. Even Steiner's minor characters and villains defy the cookie cutter mold. I even want to root for Karak, a villain with a conscience.

Even before I was Steiner's editor, I was a fan of his storytelling (See The Last Key and Aspect of Pale Night). He's able to construct a highly believable world that is easy to get caught up in. There's just enough detail: enough to believe you're there in the world he's constructed but not too much that you drown in minutiae. And he's able to conjure up horrors in this land that would fit right in with Lovecraft. My favorite scene is when Steiner plays homage to the Master while Taran and Dylan ride a train to meet with the Mystics. If I say anything more, it will count as a spoiler, so I won't.

So I hope that, despite my obvious prejudice, you'll check out Zervakan, a fantasy vs. steampunk mashup, lightly seasoned with Lovecraftian horrors. At the very least, check out the sample chapters to see Steiner in action. You won't be disappointed.

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Pharoni by Colin Dodds

When the body of Harry Injurides - playwright, provocateur and bodybuilder - washes up on a beach, his friends are shocked, but not altogether surprised. But when they meet to mourn Harry, he shows up and says he's been resurrected.

Pharoni is the story of those friends. Tommy Pharoni tries to overcome his shock by writing about his friend's resurrection, and accidentally starts a religion. Roy Sudden starts a tech empire based on digital empathy and digital pain, drawing in billionaire investors, femme-fatale programmers, and tsunamis of capital. And, Roy's on-again, off-again girlfriend Maud works in secret to bring radical justice to the most neglected and abused corners of society.

As Tommy's religion grows, Roy and his backers try to take control of it. The battle, about more than doctrine, engulfs Tommy's marriage and threatens his life, leading to a conflict with strangely humane results that no one could predict.

Told in the first person, Pharoni has the feel of a memoir or a really long confession. Tommy Pharoni is a struggling screenplay writer who pays his bills and alimony by working a soulless marketing job. His closest friends were aspiring artists of different sorts in college. Now in their mid-thirties, they've set aside those aspirations to "adult" properly. All except for Harry, whose death opens the story. Harry struggled to fit into contemporary society, instead preferring to help the homeless while penning "words of wisdom" in his many notebooks. After his death and subsequent re-birth, those notebooks wound up in Tommy's possession. Ultimately, Tommy would collect them into a coherent manuscript and seek out a way to get them published.

As Tommy is a screenwriter, the format of the story periodically shifts into screenplay mode. This works particularly well for conversations as it affords opportunity to get to know the other characters through their dialogue rather than relying on Tommy's narrative. I wouldn't say Tommy is an unreliable narrator, but he does limit what we can learn about what's going on elsewhere with other characters. References to things that have been written elsewhere and NDAs force the reader to fill in the gaps.

After Harry's resurrection, the lives of Tommy and his friends change as described in the blurb, but there's so much more. The group of friends find themselves splattered by the seven deadly sins, fitting for a story where a religion is founded upon the philosophical musings of a character that has died and miraculously resurrected days later. At least Christianity didn't get partnered with a health and wellness brand. The corrupting influence of millions and billions of dollars seeps its way into their lives and rots them from within. What is friendship worth? Can you put a dollar amount on it?

If there's one overarching theme that I can take away from this tale, it's that power corrupts, and absolute power corrupts absolutely. Keeping this spoiler free, I'll say that Tommy started out as a character that I could connect with to someone I didn't want anything to do with. But I stuck with him because act two opens with:

This is where I get unrelatable, maybe even unlikable. As the writer of failed screenplays, I know what a mortal sin unlikability can be.

That gave me hope for him in act three. But Tommy is far from the only person to be corrupted by power. It's everyone up to the very end of the story. And the only characters whose souls are left intact are those who never possess it.

Colin Dodds has crafted an excellent morality play with vivid characters. Pharoni offers modern day parallels to the founding of Christianity, right down to the Christmas star, but in an age of unbridled capitalism. If you're old enough, with all of the life experience that implies, it forces you to take a look at this fellowship of friends and how they sacrificed art and friendship for wealth and power and check to make sure that this isn't a mirror of your own life.

4 stars

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The Theatre of Shadows by Christian Ellingsen

Six months have passed since the events of The Silver Mask. Over the winter months, Vasini was plagued by Gareth Miller, the Winter Fayre Killer, who murdered 17 people before he was captured by Lieutenant David Locke. The city now waits for Miller to be hanged. But when Miller escapes gaol, ready to terrorise Vasini's streets once more, Locke must hunt the murderer again to stop him from claiming more lives.

As Miller flees into Vasini's streets, Joseph Bastin, ambassador to Vasini for the city-state of Laège, is assassinated in a brothel. With the threat of political repercussions for the death, it is up to Dr. Marcus Fox, newly appointed Commandant of Police, to find the ambassador's killer.

Fox's investigation soon leads to a suspect, someone who has been investigating links between the Laège embassy and the worship of the dead deities - his ally, Dr. Elizabeth Reid.

Now, Elizabeth and her friend, Catherine, must act quickly to clear her name before she is found by someone who doesn't believe her claims of innocence and she's forced to dance the hangman's jig.

This is the sequel to The Silver Mask, a terrific "flintlock and alchemy" novel. Unfortunately, The Theatre of Shadows wasn't as enjoyable for me due to the plot style and pacing. The story read more like a police procedural set in the 1700s, which isn't the sort of thing—regardless of time period—that I read. Investigating the ambassador's murder provided enough intrigue, but the serial killer plotline kept getting in the way, hogging the spotlight. Maybe the serial killer was fully developed in The Winter Fayre, a novella contained in The Divided River that preceded this novel, but here he's rather one-dimensional. He's always two steps ahead of the Inspectorate and the watchmen (police), rendering them seemingly incompetent as he murders people with impunity. It went on for far too long for me. It took roughly three-fifths of the novel before any sort of clue was given as to why the serial killer plotline even existed, and it wasn't resolved until much later.

The main characters from The Silver Mask—Fox, Locke, Elizabeth, and Catherine—are here. While fully developed before, they weren't neglected here. Fox and Locke are in pursuit of the ambassador's assassin and the serial killer. Elizabeth and Catherine spend their time searching for clues to clear Elizabeth's name of killing the ambassador. Ellingsen gives us each main character's POV—as well as those of a few key minor characters—as they investigate, thus enriching the depth of each one.

Ellingsen doesn't spend as much time world-building here as he did in The Silver Mask, but what he provides is top-notch. The city of Vasini feels authentic with Ellingsen's descriptions of the sights and scents of everyday life.

Ultimately, the protagonists' relentless pursuit of clues paid off. Ellingsen corraled the plot into a climax that resolved the current crises of random murder and calculated assassination. It was an effective ending, and so I feel better about the book as a whole. But for me, it was probably a hundred pages too long. However, I remain optimistic that the next installment in this series will have more intrigue and less procedure.

3 stars

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Just to be clear: This book was not submitted to us. I went out and bought it on my own.

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Tethered Worlds: Bankrupt Star by Gregory Faccone

Jordahk isn't sure who or what he is anymore, and just trying to be “normal” is becoming increasingly challenging. As adulthood looms he'll face his greatest challenges yet both personally and in space.

For Janus hasn't been idle. His schemes within schemes will launch the First Cruiser into the most audacious stratagem since the Sojourners' Crusade. Perhaps only the mystic technology from that era has a chance to stop the Prime Orator's designs.

But neither Jordahk nor his grandfather can currently operate on that level. When the most eclectic space battle in centuries begins, only desperation will bring one side to victory.

This is book three in the Tethered Worlds series. With over a thousand pages published so far, this isn't a series you can pick up in the middle. You really have to start from the beginning. Here are links to spoiler-free reviews for books one and two.

If you've made it this far into the series, you're familiar with the universe that Faccone has built and the factions contending with one another for power in this space opera. You need to be, of course, as Faccone doesn't offer a refresher in what's already been published besides the occasional character reminiscing about past incidents.

Right off the bat we're back with Jordahk's family in the midst of a training exercise. But before you get disgruntled with a "not another one", Faccone throws a cyborg assassin at them. The encounter gives the reader some idea as to how far Jordahk has come in developing his fledgling sojourner skills.

After this confrontation has played out, we learn that trade negotiations are planned at Aventicia, one of the worlds in the Banking Confederation. Janus has plans in place to affect the outcome favorably for the Perigeum and himself, but the Trade Union sends a fleet of their own to provide security. And then a pirate fleet shows up to toss a match on the powderkeg.

"Sadly, war is but politics stripped of every civilized façade

While this is the longest book in the series, 569 pages, I found that it had less filler than in the two previous books. However, the inevitable confrontation that ensues when plans are set in motion takes up about half the book. While one major story arc comes to an end, it's clear that the author has more stories planned for this series.

Characterization, plotting, and world-building all remain strong. Faccone proved that in the first two books. The personalities of the various characters are well-developed and distinct. The setting is rich with detail. Unfortunately, typos remain an issue: My notes highlight misused or missing apostrophes and spelling errors.

Bankrupt Star is a fine addition to the Tethered Worlds series. While there isn't as much exploration or side quest action as the two previous works, the plot is more focused and the stakes are just as high. It's still big and bold space opera with a protagonist you can root for as he grows to fill some very big, heroic shoes.

Series website

4 stars

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DED

Lost Kin by Steve Anderson

After the events in Liberated Harry Kaspar has been relocated to Munich. As he enters the final weeks of service as an administrator for the military government, his life is good. He resides in a nice house with cushy amenities, has a former WAC girlfriend, and the locals appreciate his efforts to restore some semblance of pre-war normalcy. And then a cop shows up on his doorstep one night informing him that there's been an incident and his brother may be involved. Having not seen nor heard from his brother for several years, Harry's interest is piqued, though for a German-American, he knows this could be a scam, or worse. What follows is an investigation into a murder, black market sales of the spoils of war, and old scores that demand to be settled in blood.

There are elements of noir in this story. Harry's girlfriend has a bit of femme fatale to her which both excites and worries him. Meetings with informants take place in dark alleys and secluded rooms, forcing Harry to always be alert for the double cross. The atmosphere of downtrodden Munich is leaden with cold autumnal rain and early snow. And the American military government is seen through a lens of world weary cynicism.

She knew so many majors, colonels, and generals, all rearguard types who'd never seen combat but rode desks like gladiator chariots except their shields were their puffed-up chests done up with medals of every color, the swords their sharp tongues and stern memos, the feints and thrust their back-room whispers and leaks applied with extreme prejudice. Opponents cowered, colleagues awed, and mistresses swooned.

As with Liberated, Anderson has done the research. The deal that FDR and Churchhill made with Stalin in Yalta would soon turn out to be a Faustian bargain. I don't want to spoil it, but Anderson explores an aspect of that here as a way for the two brothers' paths to cross again.

Lost Kin is a strong addition to the Kaspar Brothers series. The noir elements spice up the intriguing plot, and Anderson's characters are well-developed. I got caught up in their predicament as Anderson entwined their fates with historical events. I'd recommend the series as a whole for WW2 historical fiction fans looking for something different from that time period.

4 stars.

Lost Kin was published by Skyhorse/Yucca Publishing.

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Just to be clear. This book was not submitted to us. I went out and bought it on my own.

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Liberated by Steve Anderson

In the early days of post-war Germany, Captain Harry Kaspar has been assigned by the US military government to oversee recovery efforts in the town of Heimgau. Unfortunately, the post is already occupied by Major Membre. It seems that the office that assigned Membre supersedes the one that picked Kaspar, and obviously the major outranks the captain.

Kaspar and Membre butt heads from the start. Besides smarting from missing out on the position that Kaspar feels should've been his—he trained for it after all—Membre comes across as a self-serving opportunist, more interested in personal gain than helping this Bavarian town start over. Kaspar heads off in a huff to survey the town when he discovers three German men lying in the road, evidentially tortured and murdered. He now has a mystery to solve.

With the aid of Katarina, a former German actress, Kaspar navigates black markets, systemic corruption, the aftermath of the Holocaust, and a disgruntled conquered populace in an effort to solve the murders and right some wrongs, all while trying to avoid getting killed.

Anderson's story was born out of research he did in Munich to get his master's in history. Besides touching on prejudice towards German-Americans stateside, the book calls attention to Allied looting in post-war Europe. While it might be dismissed as stealing from Nazis, it should be noted that the Nazis stole it from innocents. Be sure to check out the afterword to get an idea as to the extent of the theft.

While the story was intriguing and rooting for Harry was easy, Liberated didn't resonate with me quite as much as the previous work—The Losing Role, a story about Harry's brother Max who fought for the Germans—did. I feel that certain characters weren't as developed as I think they could've been. Still, I liked it and plan on reading the next book in the series.

3.5 stars

Liberated was published by Skyhorse/Yucca Publishing.

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Just to be clear. This book was not submitted to us. I went out and bought it on my own.

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Die Empty by Kirk Jones

Lance is a middle-aged man stuck in a loveless marriage and a life with no meaning. His sedentary existence has packed on the weight, both physical and mental, and he envies his successful and fit neighbor who may be banging his alcoholic wife on the sly. The Grim Reaper shows up to recruit Lance into brainstorming new ways for people to die.

Kirk Jones tells the story in second person, thus forcing you to take on the role of Lance. In chapter one, Jones dumps you into Lance's life. Jones systematically tears down Lance's pitiful attempts to find meaning in a world of soulless consumerism. Lance knows that his life is pathetic, but he lacks the self-esteem—or even friends—to find a way out of it, so he trudges on, looking for something, anything, to jolt some life back into him.

Fortunately for the reader, the Grim Reaper shows up in chapter two to give Lance a way to escape what author Danger Slater perfectly describes as "suburban ennui." Seeing this as an opportunity to escape his misery, Lance accepts.

The pace picked up, and it seemed like the story was headed in a direction I was hoping it would go, but then it veered off into a different direction. While Jones does a fine job with second person storytelling, I could never connect with Lance. Jones would write that you (Lance) would do something and my reaction was always, "I wouldn't do that." All I could do was shake my head and hope that Jones would have the Grim Reaper show up because those were the best parts.

3 stars

Die Empty was published by Atlatl Press.

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Just to be clear. This book was not submitted to us. I went out and bought it on my own. Now, back to hibernation!

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DED

The Liminal Zone by Richard Abbott

Nina Buraca, investigator of possible signs of alien life, has heard tales of mysterious events on Pluto's moon Charon, where a science outpost studies extrasolar planets. Facing opposition from her colleagues, she nevertheless travels from Earth to uncover the truth. Once there, she finds herself working with a team of people who have many secrets. To make progress, she has to take sides in an old dispute that she knows nothing about. Can she determine who – or what – is really behind the name "selkies" that the station's staff have given to this uncanny phenomenon?

The Liminal Zone is the third book in Abbott's Far From the Spaceports series, and like the others, it's a standalone. While the first two books (Far From the Spaceports and Timing) featured the same characters, this one introduces us to a whole new cast with a completely unrelated plot. It isn't necessary to read those first two to read this one, but if you like The Liminal Zone, you should check out the others.

For those unfamiliar with this series, humanity has colonized the solar system, and artificial intelligence (AI) has come to fruition. Space travel has improved, it still takes weeks, sometimes months, to travel from one celestial body to another. As such, there's a bit of self-governance each place enjoys, and adults are very much in charge. No dystopia here.

AI entities work alongside humans and have personalities that are barely distinguishable from them. Just as the gods of Mount Olympus suffered from the same emotional shortcomings as humans, so too do Abbott's AIs. As such, people and "personas" work together, live together, and form friendships. They're each other's besties. When Nina announces to her persona, Aquilegia, that she's headed to Charon to investigate the Selkie mystery, the latter balks at going. A fight ensues, and the two of them break-up. As theirs had been a six-year relationship, Nina is devastated and feels very much alone.

All the while that Nina investigates the mystery, her encounters with other people and personas and exploration of the Charon settlement and surface, she can't help but reflect on her feelings. She's the outsider trying to fit in among a group of people. Some are paired up; some work alone. Some are friendly; some stymie her every move to make progress on either the mystery or fitting in. The story is very much an introspective journey as well as an investigative one.

Having a character journey over 30 AUs to find herself may seem unusual, but is it really any different than someone traveling halfway round the world? You go where the path leads you. I confess that I was more interested in the secrets Nina strove to uncover than her personal journey, but I chalk that up to being in a healthy relationship for 26 years. One last thing I'd like to point out is that I haven't read this much about characters drinking tea since Ancillary Justice. I kid. All of this makes for a charming read. Having taken us to the asteroid belt, Mars's moons, and now distant Charon, I'm wondering where Abbott will travel to next.

4 stars

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Just to be clear. This book was not submitted to us. I went out and bought it on my own. Now, back to hibernation!

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DED

Timing (Far from the Spaceports #2) by Richard Abbott

Hi all! Briefly coming out of hibernation to post a review of the sequel to Richard Abbott's Far from the Spaceports.

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When quick wits and loyalty are put to the test...

Mitnash and his AI companion Slate, coders and investigators of interplanetary fraud, are at work again in Timing, the sequel to Far from the Spaceports.

This time their travels take them from Jupiter to Mars, chasing a small-scale scam which seems a waste of their time. Then the case escalates dramatically into threats and extortion. Robin's Rebels, a new player in the game, is determined to bring down the financial world, and Slate's fellow AIs are the targets. Will Slate be the next victim?

The clues lead them back to the asteroid belt, and to their friends on the Scilly Isles. The next attack will be here, and Mitnash and Slate must put themselves in the line of fire. To solve the case, they need to team up with an old adversary - the only person this far from Earth who has the necessary skills to help them. But can they trust somebody who keeps their own agenda so well hidden?

It was good to get back to Abbott's Far from the Spaceports series. In the first book, we're introduced to Mitnash and his AI companion, Slate. They work for the financial regulatory body ECRB (Economic Crime Review Board) and are periodically sent off-world to investigate financial shenanigans. I found Abbott's world-building solid and his take on AI refreshing (full review here).

This book adds more of the travelogue aspect of this series. Abbott sends his duo to Phobos and Mars before their return to the Scilly Isles, a cluster of settlements in the asteroid belt that was the setting for the first book. Abbott provides more detail on life on Phobos, demonstrating how the geology of the fragile moon has shaped the culture of the settlements there.

Abbott also delves more into the characters' relationships. Mitnash struggles with maintaining a long distance relationship (astronomical units!) while a local woman intrigues him. And it's not just Mitnash's relationships, but Slate's as well. I don't know how we'll imbue emotion into AIs, but in Abbott's universe, it happened and each AI has a unique personality. With their consciousness capable of living the human equivalent of decades in a fraction of the time, they seek out relationships with other AIs, hoping for a match. Mitnash is put into a situation where he has to consider that Slate's feelings are no less valid than his.

While the story remains non-violent, save for a couple of off-camera incidents, Abbott manages to build tension, primarily through the "old adversary" mentioned in the blurb. Mitnash is slowly learning that life (on multiple fronts) is seldom as simple and straightforward as it seems. There are complications during the investigation, and Mitnash finds himself in a predicament that isn't easily remedied and will hang over his head as his story continues.

4.2 out of 5 stars. I'm looking forward to the next book in the series.

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Just to be clear. This book was not submitted to us. I went out and bought it on my own. Now, back to hibernation!

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DED

The Silver Mask (The Vasini Chronicles #1) by Christian Ellingsen

The gods are dead, killed two hundred years ago. With their destruction the moon split apart, the sun dwindled and the land was devastated. Civilisation has re-emerged from the carnage, but twisted creatures still prowl the savage Wildlands between the city-states. In the skies above the city of Vasini, a falling star, a fragment of the dead moon goddess Serindra, heads to earth.

In the Palace district, Dame Vittoria Emerson, darling of the city, has been found dead. As Captain Marcus Fox of the Inspectorate hunts the killer, Dr. Elizabeth Reid searches for the remnants of Serindra determined to make sure the poisonous quicksilver it contains is not used. With Vittoria's death threatening to draw the city's political elite into a war of assassins, Fox and Reid must rush to expose the secrets that lie within Vasini before they tear the city-state apart.

The cover looks like a photograph of a museum piece. While accurate, I don't believe it's enough of a draw to pull in a reader. If this was non-fiction about said mask, maybe it would be sufficient. But even so, the lighting is too dim. The color chosen for the title font is muddled. It should stand out more, like the byline actually does. The typeface is fine. Still, there's so much going on in this novel that the cover should have been a scene from the book rather than the mask, which plays such a minor role in the book that I'm thinking the title should've been something else: City of the Dead Gods? Alchemy of Resurrection?

The chapters are broken into scenes which are occurring simultaneously, rather than devoting a single chapter to a character and his/her POV. It was a little confusing and took a little bit to get used to it and the characters sorted out. However, the opening chapter gave me the impression that a lot was happening on several fronts and thus drew me in. After a while I was able to discern the personalities of the major characters and what roles they played in the city of Vasini.

Ellingsen has invested a great deal of effort in developing the world wherein this story lies, but he doesn't drown you in backstory. It starts out with the familiarity of a mirror Earth and then the differences are sprinkled into the story. The culture of Vasini draws heavily upon the French—many French words frequent the manuscript—but there's a dead pantheon of gods that is complete fiction. There are sub-humans that live among the Vasinians as servants to the wealthy and strange monsters in the woods. And it rains all the time, which might be attributable to the heavily damaged moon in orbit.

To help the reader become more familiar with the city of Vasini, its inhabitants, and surroundings, Ellingsen has placed images of random documents highlighting Vasini's religious, philosophical, and cultural history between chapters. When I could read them, they were a nice touch. Unfortunately, I don't know how to enlarge images embedded in books on my Kindle Fire (just the text) so some of them were illegible.

Captain Fox and his assistant, Sergeant Locke, are the detectives charged with solving Emerson's murder. But as the investigation plays out, they discover that there is much more going on underneath the surface. Not only is Vasini a city that is divided between rich and poor, but the wealthy are bitterly divided into factions (Fishers and Scarlets) that manipulate the masses. Emerson's murder is the spark that sets off retaliatory assassinations on either side of the political divide. Reid and her friend, Catherine, are conducting their own investigation in parallel to Fox and Locke, for their own reasons. They're clearly in over their heads, and it isn't until Reid joins forces with Fox that they're able to see enough pieces of the puzzle to figure out how to solve it.

Christian Ellingsen has created a rich world within The Silver Mask, and despite 400+ pages of exploration, I feel like he's just scratched the surface. He carefully juggles a large cast of characters with ease, and it shows when we're afforded time to read from so many unique points of view (some extensive, some just a pivotal moment). While the mystery seems so Byzantine that Fox and Reid always seem to be three steps behind the antagonists, it only makes the resolution that much more satisfying.

For more information about The Silver Mask, please visit the author's website.

Too Wyrd by Sarah Buhrman

Sarah Buhrman’s Too Wyrd offers a welcome twist on the conventional fantasy protagonist who embarks on a quest.  As the story begins, Nicola Crandall is plucked from the comfort of home by a late-night summons for help, and she readily places her life on hold to combat a supernatural menace. But in this urban fantasy set in Indianapolis, the supernatural exists side by side with real-world problems that take the greatest toll on the most vulnerable.  So in addition to confronting otherworldly abominations, Nicola comes face to face with regular people scrabbling to survive on the fringes of society, and proves to be their staunchest defender. On the whole, her capacity for empathy and inclusiveness is what makes her a compelling hero, more so than her courage or resourcefulness when under threat.

The trouble begins when Nicola’s friend Joseph arrives at her door with worrisome news. Her half-sister Muriel, who has spent time living on the street, has been taken in by a cult that dabbles in magic. Nicola’s help is needed to extricate Muriel both because of Nicola’s skills as a magical practitioner and because one of the cult leaders is her ex, Keith, who is also the father of her child. Nicola and Joseph soon discover that Keith has become involved with very old magic connected to Norse mythology. Nicola and her allies must puzzle out Keith’s intentions and determine the source of his new powers and how they relate to the demons who keep materializing.

In keeping with Nicola’s compassionate nature is the type of magic that she practices. Rather than using magic for aggressive ends, she employs it to assess and affect others’ psychological states. In one scene, Nicola and Joseph use magic to calm an unruly crowd.

I quickly reached for the emotion I wanted: laying back with a cool drink in the shade of an umbrella, with a warm breeze, the soft roar of ocean waves, and the warm colors of a tropical sunset. It was calm, content, and sedate. I sent that feeling into our combined energies and projected it out in a broad arc over the crowd.

The result was subtle but quick, taking hold in a matter of minutes. People who were hyped up and bouncing on their toes, stepped back, rolled their shoulders and relaxed their stance. The crowd stopped its steady press forward and, after a momentary hesitation, began shuffling towards the doors. Instead of the aggressive shoving, people began to display more courtesies, letting people go before them, saying “thank you”.

But make no mistake, Nicola is no weakling. She pushes back hard against anyone who tries to prevent her from attaining her objective, whether it’s an old adversary out for revenge, a police detective trying to connect her with a crime she didn’t commit, or Keith confusing Muriel with glib obfuscations. In the latter instance, Nicola relentlessly interrogates Keith in hopes of getting at the truth.

“What about telling us who’s giving you this ‘truth’ that you’re calling destiny?” I said, pushing our advantage of having surprised him.

Keith frowned and took a step back. “I cannot reveal the name.”

“Because you don’t know?” Joseph asked, pressing forward at my side, “Or because no one would believe you?”

“Or because it’s just you making shit up?” I added. “Must be nice to have your life funded by the people you’ve conned with your line.”

I realized I’d made a mistake in my assumptions when Keith’s shoulders relaxed and he smiled. He shook his head and tsked.

“Nicola,” he drawled out my name. “You’ve grown so bitter and cynical…”

“I’m not bitter,” I continued. “Just because I don’t buy what you’re selling? That’s not bitter, that’s having half a brain.”

But in the end, Nicola is most admirable for the way she treats others.  While tracking down Muriel, she gets a tip that someone who frequents a local soup kitchen might have information. Nicola decides to combine her investigation with providing some much-needed volunteer help at the kitchen.

I talked Mercy into helping us convince some of the Bridge Kids to come with us to the city mission for supper. I knew most of them could use the meal, but the walk was too far for most of them to make the effort. Plus walking meant taking the risk of running into trouble with a capital fist to the gut…

At the mission, a flustered woman thanked us for our help and gave us our assignments… I was put at the end of the food line, helping people with walkers, wheelchairs and kids get all their silverware, food and drinks to their seats. I smiled and chatted up the guests, knowing that half the reason they came to the kitchen was for the small degree of human interaction they got.

Nicola ultimately manages to find the answers she’s looking for and faces down her enemies in a rip-roaring confrontation. However, her quest will continue. According to the author’s blog, she is writing a second installment in the Runespells series. The sequel would benefit greatly from more development of the secondary characters, many of whom are interesting, but lack sufficient depth and backstory. For example, two pivotal characters in Too Wyrd turn out to be not what they initially seemed. But their reversals are, for the most part, inexplicable and leave the reader longing for a greater understanding of their motivations.

At its core, Too Wyrd is an engaging adventure, propelled by a strong, eminently likable lead character. Sarah Buhrman has created an immersive fictional world that skillfully encompasses both the magically sublime and the poignant struggles of everyday people.

For more information, please visit the author's website.

Speck by L. Marshall James

A dark speck slips from dormancy, where it has been trapped for millennia. It is utterly alien, singularly enthralling, and devastatingly lethal. What follows in its wake are chaos and death.

There will be no escape.

The opening strikes me as a mashup of the first third of King's Dreamcatcher (the good part) and an incident that took place near the end of Koontz's Watchers. James offers us a lovely picture of an idyllic natural setting and then unleashes his "speck" upon a hapless marmot. The speck has the ability to control minds in close proximity through suggestion at the most primal level. As the speck grows in size, it gains strength and sophistication. Things spiral out of control, leaving the reader to hope that someone can get the speck under control before its destruction reaches catastrophic proportions.

The story starts with a universal omniscient narrator but switches to third person subjective once humans get involved in the story. The narrative is relayed through several characters, primarily those that encounter the speck. Characters are only given a chapter to carry the narrative, but James has them make the most of it. I never got the impression that these were disposable characters. Although their appearance on stage is brief, James invests the time in each to develop them. If the book had been a novel instead of a novella, I don't see any reason why the characters wouldn't be able to carry the story further.

But the length of the story is also something of a negative. The story reaches a point where the reader says, "Oh crap! What now?" The fast pace of the story comes to an abrupt halt. The ending comes as a bit of unsatisfying diabolus ex machina, which is followed by an epilogue that struck me as an outline for how the story could've carried on from novella to novel. I feel like the author hit a wall and either couldn't think of a way to continue or didn't want to (hence the epilogue).

Although only a novella, Speck demonstrates an author with a talent for creating believable characters, setting a good narrative pace, and establishing a realistic setting. He understands King's idiom that "bad things happen to good people" and handles it well. As James continues to develop his craft, I have no doubt that his potential will be realized.

For more information about Speck, please visit Goodreads.

The Interview by Damian Bruce

In a city racked by poverty and discontent, twelve people arrive for an interview with the all powerful Frontline Corporation. The successful candidate will trade hunger and hardship for a life of luxury and excess. However, it quickly becomes clear that the interview is nothing like they expected. Who will survive the brutal waiting game that unfolds? To what lengths are the candidates willing to go to secure the job? And what secrets are they hiding from one another?

Let me deal with the obvious: This is a terrible book cover. If I saw this in a book store or it came up on one of my recommendation feeds, I'd chuckle and move on (fortunately, I don't look at the covers for submissions). And that's too bad, because Bruce has written a good story. But this cover does nothing to support the blurb or hint at the content within. Please, Mr. Bruce, check out our list of book cover designers and invest in your cover.

Now onto the review.

There are two threads running through this book: the narrative of the interview and backstory chapters. The chapters alternate. First we have Edgar's narrative of the interview as it happens, and then the next chapter details the backstory of the interviewee that was just eliminated. But only the reader is aware of these backstories; Edgar is ignorant, free to reflect on his insecurity and low self-esteem. Tension is low at first, but as the more timid interviewees give up and depart, people come to realize that their odds of winning have improved and tensions rise. The longer the interview carries on, the more desperate everyone becomes.

One prize not mentioned in the blurb is that the winner of the interview will get to meet the "company alpha", Elise Villette, who has succeeded her recently deceased father as leader of the Frontline Corportation. Meeting Villette is more than just a formality; it becomes the goal of those involved.

We learn through the first few character backstory chapters about the background of this city-state that Frontline controls. Initially, I felt that these chapters were a distraction from the interview narrative. But over time, as more interesting characters were eliminated, they revealed that more is going on in this city than plain vanilla oppression. A revolt is brewing, born from the ashes of a failed one years ago. But the old leaders have split into two factions. One believes that the security forces can be defeated if the seemingly omniscient leader of Frontline is assassinated.

The other faction believes that peace is the answer. This faction is aware of an assassin but not his/her identity. The company already provides essential, albeit meager, services, and this infrastructure needs to be preserved. Villette just needs to change her tack from the oppressive stance of her father to benevolent leader. The peaceful faction attempts to contact interviewees to persuade them of the importance of their mission. They even try to get put their own people in place for the interview.

While I only found a handful of typos, comma punctuation was lacking. The book needs a lot more commas. They were left out of dialogue the majority of the times. Too often a sentence like this: "Where are you going, Harry?" was written as "Where are you going Harry?" If that doesn't bother you, then ignore me.

The Interview proves the adage that we shouldn't judge a book by its cover, but I know people will, and that's a shame. This is a well-crafted story with an assortment of characters with hidden agendas. Whether their goal is to escape poverty or transform the city from the top, the stakes couldn't be higher for the twelve assembled. What starts out as a simple dystopia gradually evolves into an intriguing game of "guess the assassin." Just when I thought I had it figured out, Bruce surprised me. So if you think you've got this book figured out from the cover, you're in for a pleasant surprise.

For more information about The Interview, please visit its page on Goodreads.