Showing posts with label Michaelbrent Collings. Show all posts
Showing posts with label Michaelbrent Collings. Show all posts

Friday, July 24, 2015

Author News - July

Jimmy delivering newspapersJuly 14th - Mike Reeves-McMillan released The Well-Presented Manuscript, a guide for authors looking to improve their chances of getting published by avoiding the most common issues.

July 20th - Horror maven Michaelbrent Collings released The Deep.

July 24th - Cold Fusion Media, the folks who published the Shared Nightmares anthology, offers Christmas in July. Sort of. The Last Christmas Gift: A Heartwarming Holiday Tale of the Living Dead written by Nathan Shumate is released today. Special book launch party on Facebook!

August 3rd - John Vorhaus will release How to Live Life, his philosophy on—you guessed it—how to live life.

Friday, May 1, 2015

Author News - May

Woman reading newspaper, smoking a cigaretteApril 15th: John Vorhaus co-wrote a documentary with Kevin Pollak entitled Misery Loves Comedy. It was featured at the Tribeca Film Festival. Starting this month, the film will be available nationwide.

April 20th: M. Terry Green revealed the cover to Trapped, the second book in the Chronicles of White World series.

April 23rd: Scott Semegran, author of the Simon Birchwood series, released Good Night, Jerk Face, a novelette.

April 29th: Michaelbrent Collings released his latest novel, The Ridealong.

May 14th: Jeremy Robert Johnson will be at Powell's Hawthorne on Thursday, May 14th at 7:30pm to promote his latest novel, Skullcrack City, which was published on February 1st.

May 19th: Steve Anderson took a break from historical fiction to write the contemporary novel, The Other Oregon: A Thriller. The book drops on this day.

Tuesday, March 31, 2015

This Darkness Light by Michaelbrent Collings

This Darkness LightA man with no past, but who holds the future of the world in his hands. A woman who has sworn to protect him, for reasons she does not understand. A killer who must destroy them, or lose all he holds dear. They are running—from each other, from the plague that is killing all around them, from the dark forces beyond their understanding. Running from shadow to shadow. From dark to dark. Hoping to find light. Hoping that this darkness is not all there is. Hoping…because hope is all they have in This Darkness Light.

The book starts out like a Stephen King thriller, like the kind he wrote during the seventies and eighties when he was still hungry. Back before King started writing cinder block-sized epic tomes filled with meandering storylines that wandered off on tangents. It grabs your attention, hints at something terrible just outside your vision, and convinces you to keep reading because you have to know how this is all going to play out. And there's certainly a nod towards King with an all-obscuring fog and strange creatures that lurk within, a la The Mist. Unlike King, Collings is still hungry, and it shows. With only a couple of exceptions, Collings stays focused on the plot and the characters in said plot. There's plenty of action with several fight scenes and car chases. Horror is used to reveal the monsters living within people in a very literal sense.

Collings provides us with three likable protagonists: John (the man with no past), Serafina (the woman sworn to protect him), and Isaiah (the killer). Collings goes in depth with each of them, revealing their pasts and their struggles to hold it together as their worlds come crashing down. Isaiah was the most interesting of the three as he goes from avenging angel to a man caught in an emotional vise, blackmailed to do the dirty work of the antagonists. And he's a priest! I found his life journey from troubled youth to priest to assassin quite intriguing.

The two main antagonists are Dominic and Melville. While the former is in charge, it's the latter that had more depth (as despicable as he is). Dominic seemed too much a cardboard cutout villain. And then there's President Richard Peters, whose emails with Dominic, staff, and foreign leaders opens every chapter. He offers the reader a clue as to how the rest of the world is dealing with the crisis as well as a window into his deteriorating mental state.

After the thriller opening that plays on conspiracy theorists' worst fears of an all-knowing police state, the story morphs into apocalyptic fantasy. Los Angeles is collateral damage as John and Serafina are relentlessly pursued by Dominic's henchmen, Isaiah, and Melville. The disease morphs people into abominations and the fog closes in, yet there always seems to be a car to be found with a full tank of gas and maybe some sandwiches. This is all intentional; the characters are being led to a meeting place in the middle of the country where all will be revealed.

Unfortunately, the manuscript could've used another run through by a proofreader. There were enough mistakes in there that, while it didn't sink the story, proved to be a distraction: "laying down" was used instead of "lying down", an assault shotgun becomes an assault rifle then switches back, a gun becomes a knife, bad dates in email headers, misused punctuation, capitalization (the Bible) and word choice errors.

This Darkness Light is an an action-packed chase across an apocalyptic landscape. While the characters serve familiar roles, Collings embodies (most of) them with enough depth that you can picture who will play them in the movie. Another set of eyes would've been helpful before publication to tidy things up, but it shouldn't stop you from enjoying the ride.

To find out more about This Darkness Light and other works by Michaelbrent Collings, please visit his website.

Monday, December 29, 2014

Shared Nightmares, an anthology from Cold Fusion Media

Cover for Shared NightmaresShared Nightmares is a collection of short stories whose central theme revolves around dreams, but more accurately, nightmares. That's about the only thing these stories have in common as the authors tell us tales that span all matter of genres. While horror is the overriding element, some authors make use of other elements: science fiction, historical fiction, and urban fantasy. Some stories rely on visceral action, while others suspense. Fortunately, none of these stories wander down Elm Street, and for that, I'm grateful.

Please indulge me as I offer brief comments about each story.

The anthology opens with “Father’s Day” by Larry Correia. Aliens have invaded Earth and are attacking us through our dreams. And we're losing. Correia does a stand up job with his protagonist, as he fights a bureaucracy in order to protect his daughter.

In “Dreamcatcher”, Sarah Hoyt warns us that things in the dream-world wants to become real. There are guardians who keep the nightmares at bay, and it helps to keep an ax—a very sharp ax—close at hand.

The message I got from D.J. Butler's “Incubation” is that regret is a nightmare that you can't wake up from. It takes some time before we learn what the unreliable narrator has done, but Butler drops us enough clues along the way to piece together this crime scene.

The devil has Adam's number in Tom Lloyd's “The Devil On My Shoulder”. Every time Adam wakes up, whether from actual sleep or blackouts, he discovers that he's been up to no good. Pity him, but pray you never meet him. Lloyd does a great job bringing the reader along on Adam's senseless ride through misery and then rewards Adam (and the reader) by revealing his purpose.

The first of the historical fiction pieces is “Onnen” by Paul Genesse. Having visited the Kyoto imperial palace, he was inspired by its strange, bleak history to write this story. It's an excellent tale of a woman's scorn and her unquenchable thirst for revenge.

In “To Dream Awake, to Sleep the Real” by Michaelbrent Collings, Booker Nyx talks about the dream-like bliss of the early days of marriage: "Existing with one foot in dream, and the other in a place where the world was seen as it truly was: a place of magic, and wonder, and light, and infinite possibility." But then children come along, and the responsibility of parenthood kills the dream. Booker yearns to return to that dream. Collins does a solid job with his sad yet familiar portrayal of Booker's life.

“What Hellhounds Dream” is an action-packed urban fantasy story from Steven Diamond, who's also one of the editors. It was a fun story that seemed like it could be expanded to novel length.

“The Damnation of St. Teresa of Ávila” by Marie Brennan is the other historical fiction piece. The titular character died right at the time when Spain transitioned from the Julian calendar to the Gregorian calendar, whereupon ten days were lost. In Brennan's story, St. Teresa's death lasted for those ten days. Drawing from St. Teresa's life and writings, Brennan skillfully paints an all too real picture of the woman as she hovered between life and death.

“Man in the Middle” by Max Gladstone was another fun piece. It appears to be something out of his Craft Sequence series. If you're like me and haven't read anything about it, there's a bit of dead gods and scientific sounding magic (which reminded me of Stross's Laundry) that keeps the world—at least an alternate version of ours—running. This story concerns a trip into a nightmare where Tara discovers a remnant from the God Wars. After reading this story, I feel compelled to dive into this series.

A video game that you play in your sleep is the subject of “U.I.” by Howard Tayler. The game is still in beta as the protagonist is testing it for the developer. Rather than just lamely showing the game action, Tayler presents their conversations, which shows the protagonist's progress in getting caught up in the game.

“The Quality of Light is Not Strain’d” by Peter Orullian was a difficult read due to the subject matter. That's not to say it wasn't a good story. It was well-written, and the difficult parts were tastefully composed. I find that the most disturbing horror stories are not the ones with visceral gore, but rather the mundane acts that are carried out by good people in desperate situations. This is one of those stories.

The anthology concludes with “Health and Wellness” by Dan Wells. It follows a pair of Indian immigrants who are here on work visas and take these special vitamins generously provided by the U.S. government. It's a delightful tale of paranoia and the paranormal.

Editors Steven Diamond and Nathan Shumate have done a fantastic job corralling these disparate tales into a cohesive collection. If you prefer your horror to be on the literary end of the spectrum, without the usual tired clichés, then check out Shared Nightmares. For more info and reading samples, visit the publisher's website.